Thursday, May 15, 2008

it's oh so quiet...

Actually, it's anything from quiet. My head is buzzing with ideas, thoughts and inspiration; my heart is singing; my feet are dancing; the world around me seems crazy and surreal... yet it's all making so much sense...

So, I'm back in the mountains after two amazing weeks working on the life between buildings projects as a Bundanon artist in residency. My commitment to blog daily while I was there was ruined by the internet collapsing in the last four days. Probably a good thing though. It made me realise just how bloody addicted I am to the damn internet... hhmmm...

Anyway, once I get back into the swing of life, catch up with the exciting chaos that I left behind and give myself time to reflect, I'll tell you all about it. Stay tuned!

In the meantime, pop on over to my flickr webpage to get a very small taste of some of the things I was up to while there.

Friday, May 09, 2008

environmental sustainability discussion

For those of you interested in the function of art in relation to environmental sustainability, you might want to check out the online debate that is unfolding over at the lifebetweenbuildings project blog.

Jules, Rhi and I - who really don't want to leave our scrumptious Bundanon cottage in two days time - over the next few hours will chat online about our ideas on the function of art and their relation to environmental sustainability. Feel free join in with us!

Thursday, May 08, 2008

imaginary swims, creative muses and chocolate adventures

Another update from bundanon residency... read more here.

I bounced out of bed at 7am yesterday, despite my insomnia pushing my body through until about 3am the previous night (crawling into bed at 5:30am isn’t unheard of around these parts either – who needs sleep at times like these!). Aside from wanting some alone time to reflect, I was keen to spend the morning by the river… To think about where I’m at, maybe take advantage of the soft morning light (for photography), but mostly just to meditate and soak up my surroundings. I was surprised at the amount of bird life by the shore – willy wag tails, magpies, wrens, kookaburras, king fishers, crimson rosellas all within a few metres of each other. To be a part of that! Wow!

Of course I wouldn’t dream of breaking the Bundanon Artist’s In Residency ‘no swimming’ rule, so I just…um…errr…danced naked across the sand and dipped my toes in? Yes, that’s what I did. The cold certainly didn’t force a sudden intake of breath as I dived in. And I didn’t shout songs of excitement to the birds as I spooned handfuls of icy water over my head. Neither was I able to experience the cool rush of water swirling around my naked body… so… um… yeah I just sat…. oops, I mean danced… and imagined all of the things that might have happened if I’d swum… As I basked in the sun pretending to let my imaginary drenched locks of hair dry, I watched a willy wag tail flit along the shores, glancing quizzically every so often in my direction (HA - he reminded me of the raven and goat that Boyd obsessively painted as a symbol of voyeurism). I wrote in my journal, took a few photos and breathed in deeply… Ah!

Anyway, it seems the sheer power of imagination made for a sensational day. The dreams of an entirely imaginary morning swim refreshed my mind and soothed my spirit. On returning to my studio, a few tangible ideas for writing began to emerge. Fingers itched. My pen began dancing wildly across the room. And so I wrote! Words. On paper. There’re still very raw, but I’ve started. It’s all very exciting.

Let me explain my excitement: I wasn’t sure how much writing I’d actually do while down here. Having experienced intense writer’s block in the last few months, I’d made the decision to focus on photography, painting and sculpture during the residency. In the lead up to the residency, however, I felt like my blockage was starting to dissipate. This was mostly due to a rediscovery of my passion for letter writing. Through a series of letters to a friend, I found words began flowing from my fingers again. It was a fascinating process. And prompted me to commit, while at Bundanon, to daily blogging and scrawling out morning pages. It’s still a slowly unravelling process, however, and I decided to only write creatively if my fingers started itching to throw words on the page. No expectations. No pressure. But this morning my fingers started itching! Hoorah!

These ten days have taught me a lot about my creative process. Like Julian, ‘lounging about, unwinding, enthusiastically talking up ideas, and idly noodling’ – and I’d add, debating hardcore issues, cooking, reading, watching movies and teasing Jules himself – has been crucial for getting the creative juices flowing. Yet so often I’ll feel guilty if it isn’t immediately obviously that what I’m doing is directly productive towards my end goal. Here I’m learning that so much time for me is spent thinking conceptually about an idea – planning, discussing, exploring abstractly - the nitty gritty craftsmanship of creating a work, words on paper, paint on canvass, emerges much later. I love creating first in my head and bouncing those ideas around, exploring all the options and thinking laterally for further options… So talking, lounging around, cooking etc. are really important and valid! Hmm… brains are such strange things…

Speaking of my brain, the contents of it are currently sprawled across our newly acquired second art studio. Not actual brain bits, of course, just a symbolic representation. With paper, textas, nails and creative enthusiasm, I created a giant mind map of our song cycle/installation when I got back from my river adventure. It isn’t often that I have so much space to spread out, so why not! I also thought it was time for the group to start focusing in on our project. What was actually achievable? What ideas should we keep exploring? Were there actual components that we could start writing/composing? Who wanted to do what? What was the scale of the project? I figured having a central space to summarise our ideas – one drawing board rather than five – would be useful for 1. Ensuring that we are on the same wavelength, 2. Nutting out some achievable goals for the final four days of our residency, 3. Ensuring that we found a model that allowed each one of us to use our strengths to their advantage.

Our discussion in the evening demonstrated just how far we’ve come in finding a collaborative model that seems achievable, despite all our initial concerns. We’re finding ways of working together. We’re moving forward. There are still challenges ahead, but I think we’ve reached another turning point. I’m really excited.

We’re going on an adventure tonight… To sleep in the rundown shack across the paddock – the one in which the Swiss artist built her embroidery installation. A night of creative storytelling, poetry reading, insomnia, mandolin playing and – if Rhiannon actually manages to find her way ‘home’ this time – chocolate munching!

Dammit I don’t want to go home…

Saturday, May 03, 2008

food glorious food...

an update from bundanon.

Food is something I'm very passionate about. Vegan cooking and talking about food ethics is a huge part of my existence. So the idea that was thrown around yesterday about a song cycle focusing on the narrative about the last meal of someone who is about to die (in response to "the last moments of life") has been haunting me...

In conjunction with this idea, I've been thinking about how we could present the song cycle + images (our major group project) in a more cohesive way than a conventional concert setting with screen back drop, or a concept album with accompanying cover art. One idea I've had is a "dinner party installation". The installation would be the creation of a dining room, which would stand alone as an exhibition. The room could reflect the life of our protagonist (eg. through the selection of books on the bookshelf, type of decor, meal choice) as well as being a space to present some of our Bundanon work - there's the potential for a lot of symbolism and layers, which is something we've all been drawn to in the last week...

At various times throughout the exhibition viewers could participate in a "meal sitting". The "meal sitting" would be the presentation of the song cycle, which would occur concurrently with the serving of a four course meal which we've cooked ourselves: the last meal of our character (the singer) is actually shared with dinner guests (the audience, who become performers in the installation)... The meal courses could define the structure of the song cycle and perhaps we could explore different narrative techniuqes so that the drama unfolds in a way that the viewers don't realise this is the last meal until desert... We've been watching a few different films which play with manipulating the psychology of the viewer and exploring with non-linear narrative and these ideas seem to be influencing a lot of my ideas...

Aside from the obvious biblical connotations (which Boyd himself has explored throughout his works), there are also many connections with various films and plays (eg. Chocolat, The Last Supper, Delicatessen). And there is an interesting irony in the fact that food is usually associated with human connection and building community, but in this context it highlights separation and loss.

I think it's a fun idea to at least explore and it would be interesting to set ourselves some environmentally challenges when creating the room: eg. all the furniture might be hard rubbish; food might be vegan...

Friday, May 02, 2008

bundanon and collaboration

this post is cross-posted over at Life Between Buildings...

Putting on our rainbow thinking caps…

Conversation at the 'muso's cottage' is rarely trivial. And I don't think we'd have it any other way. From politics, critical theory, and ethical values, to the current romantic pursuits of certain group members, our daily creative activities are constantly interjected with stimulating, vibrant, humorous and challenging topics of discussion. Take this morning for instance. I step out of my bedroom. Stretch. Yawn. Rub eyes. Search for a clean teacup. Instead of being passed the pot of tea, I’m thrown a handful of questions. Full pelt. Did I think it important to really know someone for an artistic collaboration to be successful? And what models of collaboration are most meaningful to me? The questioner was thrown back a definite NO from me. I think fruitful collaboration – regardless of the model – is possible with anyone. She caught it gracefully, and immediately threw back some further questions. This time I caught them in my cereal bowl and let them soak up some tasty breakfast goodness before responding… For me, good communication is key…

Speaking of which…

When it comes to working on our creative project, I’m feeling we – as a group –struggle with effective communication. We are finding it difficult to reach consensus on a variety of decisions. And this prevents us from moving forward with confidence. Mind you, I don’t think it is just about communication: we have quite a spectrum of life perspectives – a wide range of political and social viewpoints, music tastes, ethical values etc… and very different approaches to the creative process. This makes decisions that respect each individual viewpoint (a vital thing) difficult and time consuming.

But I think if we ensure that strong communication strategies are in place then surely working together will gradually become smoother and more efficient? While I do feel my ideas and opinions are heard, I feel they are often misunderstood or misinterpreted. And I think I'm doing my fair share of misunderstanding as well... I think we all need to listen more carefully and clarify each other’s viewpoints more frequently. For example, I tend to show my emotions immediately; I’m quite a passionate person. I’m generally quite open with how I feel about an issue, but I think I can work more on demonstrating that my feelings about an issue are more fluid than they might seem. I tend to react from an intuitive viewpoint and then analyse and evolve my viewpoint as the conversation flows. Because I’m feeling misunderstood at times, I’m beginning to react by closing off emotionally. I’m then getting frustrated. I think I need to work on being clearer about my personal needs within the group… being more assertive…

Possible solutions? I’ve suggested reading a document I have on consensus decision-making, while Julian has suggested Edward de Bono’s six-hat approach. I like the sound of this. Basically, issues are considered from six different points of view each represented by a different coloured hat: white hat – attention to pure neutral data; red hat – intuition and feeling; gut feeling without justification being necessary; black hat – the logical negative, caution; yellow hat – logical positive; green hat – new ideas and furthering ideas; blue hat – process control, the metacognition…

Anyway, lots of food for our respective thoughts…

Chewing it over…
We’ve discovered the bitter taste of church hymnbooks. Literally. Over the last few days Ben has been incorporating book pages into the papery bark of a tree in the amphitheatre for an installation and a photo series so we all spent some time helping him. A good technique required us to chew the pages in our mouths first and then paste the soggy pages between layers of bark. As we helped him, ideas for incorporating this into a bigger installation began to emerge…

While trying to hold back the occasional gagging reflex, we also spent this time chewing over ideas for a larger group project. As Rhi mentioned yesterday, I’m ready to sink my teeth into something more solid. Having had a few days to relax, and explore the property and a few emerging ideas, I was ready to come together as a group and start honing in on a project(s). We didn’t have de Bono’s hat strategy at this point so it took a while for the conversation to move forward. From my perspective, I felt a strong need to explore more group work opportunities; the beauty of this residency for me, at least, is the opportunity to actually collaborate with other artists. I’m not really interested in working solo: I can do this at home in my own studio.

Julian and I shared with the group our emerging ideas for a song cycle we’ve working on. The interest in working on a group Song Cycle began exciting us. So by the end of the day (and well into the night for the night owls amongst us), we were pleased that today a pivotal point was reached! Hoorah! A commitment to collaboratively write a song cycle… It will be really interesting to see how the next few days pan out. I’m really excited about the project. And I like the ideas that have emerged so far. I’ve never written text for music (except for a few songs my brother and I have written for family functions…) so it will be a very new challenge for me personally. Bring it on!!


Emerging Projects

As I begin summarising the emerging ideas of the group, I’m excited to see how far we’ve actually come in only four days…

Song Cycle | Music – Julian, Rhi, and Serena; Text – Ben, Dan, Serena; Visual – Ben, Dan, and Julian
Tomorrow we plan to start working on this project, generating ideas and gathering material. We’ll probably work in smaller groups and alone for the most part…We’ve decided to initially explore the theme of ‘Last moments of life’ and see where it takes us. We also decided to work as collaboratively as is possible. ie. We’ll all have input in each other’s work…

Song Cycle | Julian (music) and Dan (text)
Jules and I are still exploring themes and ideas. We’re interested in working in a way where the text and music feeds off each other, rather than a situation such as me writing a text for which Julian might then set to music. So far ideas have centred on notions of authority: the questioning of power structures and systems; different political structures; authorities in music and writing etc… and then ways we might be able to play with that in the work. Some examples include democratising the creative process: sharing this with the performer and audience; experimenting with non-linear structures and narratives: eg. Performing different songs simultaneously in different rooms so the audience could choose which order they view the songs… hmmm many more ideas to explore…

The Red Installation/Photo Series | Ben + others
Ben is still wrapping things in bright red wool – tractor parts, wood, burrawang leaves, and trees. He’s also got Serena and I knitting red scarves (eek!). Aside from serving as a series of installations around the property – intrusions and interventions on the landscape – the wrapping is in preparation for a photo series. As far as I understand, the red theme is quite symbolic. Rarely seen in the Australian bush, usually serves as a warning sign: poisonous mushrooms, red back spiders etc… or perhaps it’s simply a reflection of Ben’s connection with his root chakra… (cheeky grin!)

The Book Tree Installation/Photo Series
When Ben isn’t wrapping things, he’s sneaking pages of books amongst the papery bark of a tree in the amphitheatre. Again this project is emerging as both installation and a photo series… Exploring themes of decay and intrusion, the project is starting to extend beyond Ben’s original vision. We all spent a few hours today helping him to insert pages of the books onto the tree (I discovered chewing them first helped the process!) and as we did this other ideas began to emerge… Perhaps I could explore painting on the tree with natural ochres? How could my bark paintings relate to this installation? It was fun working collectively and we were intrigued at the different methods that emerged… oh and we’re using recycled materials, which will literally decay over time…

Photo Series | Rhi + others
This project focuses on looking at the beauty of detail…
Rhi is currently indulging and delighting in her obsessive-compulsive streak by collecting hundreds of close up images from the bush and sorting them by colour (Ben, Dan and Julian are also taking images to contribute to this project). She plans to build some larger images by using these as ‘mosaic tiles’. One idea she wants to experiment with is the image of a naked woman… She might also look at working with Dan to write some text/music to incorporate into the artwork… Tomorrow Ben, Rhi and I are going to work together to take some shots for Rhi’s naked woman, which she will then pixilate and use to then build up her mosaic image (no guesses as to who get to take all their clothes off!!)

Bundanon Community of Artists | Rhi + Dan (and others?)
This project is still in the ideas stage. We haven’t yet talked too much about directions in which we can head. But we’re keen to look at interviewing some of the artists who’ve worked/lived here with the intention of creating a radiophonic work (with Serena’s and Julian’s help?). Our motivation is a desire to explore the importance of community… (the Bundanon community and the larger surrounding community)

Solo Flute Work | Serena
Serena has been working on a solo flute piece. We spent the other night listening to some solo works by Matthew Bienek and talking about what we thought constituted a quality flute work. She is open to the idea of incorporating this into a bigger group project if appropriate.

Bark Painting | Dan
I’ve finished priming some of the bark with white paint and in the next few days will start painting. I’m thinking about using some of the other bark for sculptures. I’m also keen to explore incorporate some of my ideas with Ben’s installation…

Art and Sustainability | Dan (+ others)
I’m really interested in researching ideas about sustainability in art with the idea of developing some projects over the next few months. Being web-addicts, Julian, Rhi and I have decided to initiate this research by holding an online debate between the three of us over the next few days. I think this will be a really interesting and fun way to explore different ideas and concepts.

Time lapse Photography | Julian
Julian’s current idea is to recreate or model some of Arthur Boyd’s images using time-lapse photography, particularly the sceneries that Boyd obsessively created (eg. Pulpit Rock). There is the potential for sound/music as well…

The Cow project
We’re all still quite traumatised by the baby cows (who are still crying and moaning for their parents). Serena has made some sound recording of the cows, while Dan and Jules – who spent the afternoon with them – have taken some images. Whether we do anything with this footage remains to be seen… but the separation of mother and child has certainly made a huge impact on many of us!

Cloud Animation | Jules
Jules has been working on an animation of cloud pictures using time lapse techniques...

hhmmmm... perhaps there are things I've missed??


PS.

Jules has finally found phone reception! Down on the sandbank of the river. Mind you in the time it took to make three long phone calls, the tide began creeping in significantly. And so when Jules turned to head back home he discovered he was standing on a small sand island...

Thursday, May 01, 2008

art is what?

creativity. challenging. provoking. fun. inspiring. beauty. paying attention. vital. anything. self-expression. good craftsmanship. opportunity. reflection. thought-provoking. affecting change. commodity. powerful. communication. everyday life. boundary breaking. an observer. a critic. autonomous object. process-driven. activism. anarchy. legitimate. individual. a loaded term